1970 Born in Saitama prefecture, currently living and creating art in the suburbs of Paris
1994 Graduated from Nihon University Art department Art course
1996 Moved to France
2001 Ecole des Beaux-Arts de Rennes, Modeling higher expression national certification, Art department
2004 Université Rennes 2, Professional advanced research diploma "Art/Culture Multimedia Creator"
2006 Université Paris 8, PhD research diploma, Video Art/Technology department
Currently at the Aesthetics of Art, Science, and Technology department at Université Paris 8, research and creation in PhD program

Solo exhibitions
2001 "Espace perch Espace reel", L'Espace CROUS, Rennes
2002 "SEGAWA Go", Saison Art Program Gallery, Tokyo
2002 "Espace perçu Espace réel 2", Atelier Alain Le Bras, Nantes
2004 "2 espaces percuss", Galerie du Centre Culturel Colombier, Rennes
"Espace perçu Espace réel 2,5", La galerie de l'école d'architecture de Nantes
2006 "2D profondeurs", Galerie de la Maison internationale de Rennes
"3D Réel", Atelier de Phillipe Collin, Jean-Christophe Manck, Yves Pazat
Association HYPNA, Rennes
2007 "Go SEGAWA", Galerie Luc Debruille/Alain Zlotogora, Paris
2008 Sans titre, Galerie Luc Debruille/Alain Zlotogora, Paris
2009 "Multiples", Le chercheur d'art, Rennes
"Go SEGAWA", La Halle de Oiron "Dessin/volume Go SEGAWA", Galerie Ombre et Lumière, Saint-Malo
2011 "Volume pliable", Galerie Espace marie-robin, Paris
"Dessin/volume Figure", Galerie Michel Cabotse, Saint-Ouen
2013 "LIGNE/PLAN/VOLUME", Nine Kube, Paris
2014 "Go SEGAWA", Galerie SENS INTERIEUR, Cogolin (France)

Group exhibitions
1990 "Cherry Blossom Viewing Exhibition" Saitama Culture Center, Saitama
1994 "Five Art Universities Exhibition" Tokyo Metropolitan Art Museum, Tokyo
"Painting Exhibition" Nerima Art Museum, Tokyo
1998 "L'Ecole de Reims", L'Ancien Collège, Reims
2007 "Artissima 2007", Galerie de Multiples (stand), Turin
"Objets traditionnels du Japon", Maison du Champ de Mars, Rennes
"Gallery Collection", Gallery Art Unlimited, Tokyo
"Géométrie variable", Galerie de Multiples, Paris
2008 "Esquire CAFE '08/SS", Omotésandou-saryo, Tokyo
2009 "La Nocturne de la Saint-Nicolas", Galerie Luc Debruille/Alain Zlotogora , Paris
2010 "Liaison", Gallery Art Unlimited, Tokyo
"Ombre et Lumière", Galerie Ombre et Lumière, Saint-Malo
"Le Japon influences et art de vivre", Marché Paul Bert Serpette, Saint-Ouen
"25 ans d'Art et Technologies de l'Image", Université Paris 8, Saint-Denis
2007-2011 "Carré Rive Gauche – Le meilleur de l'art", Galerie Luc Debruille/Alain Zlotogora, Paris
2008-2011 "Parcours XXè siècle & Art Contemporain", Galerie Luc Debruille/Alain Zlotogora, Paris
2011 "Gathered; Beyond the impasse", ART FACTUM GALLERY, Beyrouth
"Liaison 2011", Gallery Art Unlimited, Tokyo
"Cinépuces", Marché Paul Bert Serpette, Saint-Ouen
Salon des Réalités nouvelles, Parc Floral de Paris
"Prints Unlimited", Gallery Art Unlimited, Tokyo
2012 "All down The Line", ART FACTUM GALLERY, Beyrouth
"Autour des Sciences", Galerie Espace marie-robin, Paris
ART.FAIR, Micheko Gallery (stand), Cologne
"excitation", Galerie Maubert, Paris
"Noirs et blancs", Galerie Gimpel & Müller, Paris
"Artistes de la galerie: Portes ouvertes", Galerie Espace marie-robin, Paris
Salon des Réalités nouvelles, Parc Floral de Paris
"mesure et démesure", Galerie Maubert, Paris
"Liaison 2012", Gallery Art Unlimited, Tokyo
2013 "Sérigraphie & matière", Galerie Espace marie-robin, Paris
ART.FAIR, Micheko Gallery (stand), Cologne
Beirut Art Fair 2013, ART FACTUM GALLERY (stand), Beyrouth
Salon des Réalités nouvelles, Parc Floral de Paris
"Invisible I", Galerie Grand E'terna, Paris
Art Paris Art Fair, Galerie Gimpel & Müller (stand), Paris
Lille Art Fair 2013, Galerie Rau (stand), Lille
Art KARLSRUHE 2013, Galerie Gimpel & Müller (stand), Karlsruhe (Allemagne)
Design Days Dubai, ART FACTUM GALLERY (stand), Dubai
"WAS IT A CAT I SAW?", Micheko Gallery, Munich
"Red Unlimited", Gallery Art Unlimited, Tokyo
2014 "appartement d'un collectionneur", Galerie Gimpel & Müller, Paris
"Volumes pliables", Galerie Espace marie-robin, Paris
PINTA MIAMI, Imaginart Gallery (stand), Miami
"COLOR MOTION", Ranivilu Art Gallery, Miami
"ZAUBERBOX", Micheko Galerie, Munich
"Art contemporain pour échange culturelle Jp-Fr", MI Gallery, Osaka
Odeon Art Fair, Imaginart Gallery (stand), Bogotá
Salon des Réalités nouvelles, Parc Floral de Paris
"Nowhere", Galerie Grand E'terna, Paris
ART BODENSEE, Galerie Gimpel & Müller (stand), Dornbirn (Autriche)
2015 "ESTAMPES +", Galerie Grand E'terna, Paris
Stroke Art Fair, Micheko Gallery (stand), Munich
"CARREMENT 2", Espace Christiane Peugeot, Paris
"Couleurs & illusions", Galerie « A l'Ecu de France », Viroflay (France)
"GEA – TERRE", Galerie Akié Arichi, Paris
"impalpables volumes", Café des négocients, Rezé (France)
"Selection Unlimited", Gallery Art Unlimited, Tokyo
Art Up! 2015, ART SYMBIOSE (stand), Galerie Gimpel & Müller (stand), Lille

Awards
2002 Lauréat du prix the third SAP GRANT, Saison Art Program, Tokyo 2012 Lauréat « Art programme magazine », Salon des Réalités nouvelles, Paris

Public art
2009 Set up the iron three-dimensional art "Two Cubes" in the Western French town of Oiron

Catalogue/Art magazine, etc.
2002 « The Third SAP GRANT », édité par Saison Art Program, Japon
2008 livraison #11 « Multiples et autres/and other Multiples », édité par RHINOCEROS
2010 « Ombre et Lumière », édité par Henry des Abbayes – Ombre et Lumière
2011-2014 Réalités nouvelles 2011-2014, Salon des réalité nouvelles

Boundaries of two-dimensional – three-dimensional, painting – sculpture, virtual space – real space, illusion –materiality I have been interested in the expression of three-dimensional object in a two-dimensional world of drawing, and the expression of three-dimensional objects and space on a flat surface. When drawing, no matter how hard you try to gain volume on a flat surface, a drawn object cannot become three-dimensional. Therefore, I set the major elements of the main topic as conceptually seen paintings (two-dimensional) and sculptures (three-dimensional), and started exploring the boundaries. – Possibility of a Flat Surface Becoming Three-dimensional – When considering the difference between these two elements, the important concept of "Weight" is born, and we can distinguish these two clearly. For example, when we look at a flat art, we are not generally conscious about the weight of the paper or canvas, but a sculpture often sets the existence of the piece by its weight. While thinking in this manner, I tried the following practices: – Weightless sculpture – Three-dimensional object consisting of drawing (sculpture) –Sculpture of a drawing that expresses three-dimensional object These contradictions make our perceptions mad and transform the surrounding perceptual space.

Dessin/volume
It is a series that I have been deploying since 1999. They are three-dimensional drawings that are realized from various angles and approaches including the boundary between two-dimensional and three-dimensional, drawings (lines) that run through real space, lines with weight, weightless three-dimensional objects, etc. I have also created a large piece with 2ｍ width. Currently, I mainly realize and create three-dimensional simulation (objects) as "Dessin/volume" that are modeled using 3Ｄ software. While the spread of computers in our daily lives is currently progressing, I want to focus on the concept of digital space. The virtual space created by these is a nonmaterial, independent perceptual space, and the difference in perceptual experience that is born while going back and forth between real space and virtual space encourages the transformation of our spatial perception. Materialistic, real perceptual space is being transformed. Three-dimensional space on a monitor is flat, but we can see the existence of a three-dimensional space there. I include and emphasize the two opposing elements of this "Illusion (optical illusion)" and materiality into one object. Currently, I create three-dimensional objects in digital space and material work in real space in parallel. Based on these two perceptual experiences, I want to contemplate the materialistic, real perceptual space again and expand the possibility of expression while analyzing the difference in the perception level.

Espace d’Art